STORY PLACEMENT

 THIS STORY TAKES

 PLACE BETWEEN THE

 NOVELS "WETWORLD"

 AND "SICK BUILDING."

 

 WRITTEN BY

 MARK MORRIS

 

 RECOMMENDED 

 PURCHASE

 OFFICIAL BBC HARDBACK

 (ISBN 1-8460-7270-3)

 RELEASED IN SEPTEMBER

 2007.

 

CLICK TO ENLARGE

 

 BLURB

 in the sleepy New

 England town of

 Blackwood Falls IT'S

 ALMOST HALLOWEEN.

 Autumn leaves litter

 lawns and sidewalks,

 paper skeletons hang

 in windows, carved

 pumpkins leer from

 stoops and front

 porches.

 

 The Doctor and

 Martha discover

 that something long-

 dormant has awoken

 in the town, and this

 will be no ordinary

 Halloween. What is

 the secret of the

 ancient chestnut tree

 and the mysterious

 book discovered

 tangled in its roots?

 What rises from the

 local churchyard

 in the dead of night,

 sealing up the lips of

 the only witness? And

 why IS Halloween

 suddenly taking on

 a creepy new life of 

 ITS own?

 

 As nightmarish cr-

 eatures prowl the

 streets, the Doctor

 and Martha must

 battle to prevent

 both the townspeople

 and themselves from

 suffering a grisly

 fate...

 

 PREVIOUS                                                                                  NEXT

 

 

SEPTEMBER 2007

 

 

                                                       

 

 

I picked this book up with high hopes after thoroughly enjoying Mark Michalo-

wski’s Wetworld, and I wasn’t disappointed. Mark Morris’ first new series tie-in is replete with everything that makes for a cracking Doctor Who story, telling a compelling tale set

in an evocative setting and populated with some great characters. Best of all though, here Morris takes something familiar and makes it truly frightening – Halloween.

 

Paradoxically, Halloween is anything but frightening nowadays. Especially in the United States – where this novel is set, refreshingly – Halloween is more of a family event than anything else. It’s about kids trick or treating, having Halloween parties, and dressing up

in daft costumes that are about as far from scary as you can get.

 

Yet Forever Autumn turns this on its head; it takes all these daft things likes fancy dress costumes and toy bats and makes them terrifying. The alien menace - the Hervoken – are quite good monsters in their own right, being about ten foot tall with wraith-like talons and pumpkin heads, but it is through their Nestene-like control of inanimate objects in the town that the true horror derives. There is one scene that even I found unsettling that sees Martha and a young boy being chased down the street by a gargantuan, homicidal clown. Horrible. Imagine reading that if you were only nine or ten years old!

 

However, despite the successful horror story, I think on balance I enjoyed the first half of the book most of all. The Hervoken don’t properly reveal themselves until about half way through, and so prior to their big reveal the author focuses on a few select townsfolk and shows the reader how, from these characters’ perspectives, these mysterious events begin to unfold. Morris gives characters like Doctor Clayton and Etta fascinating and quite adult histories that really give the novel an added layer of depth. I also just loved the basic proposition of

the Doctor and Martha showing up in Blackwood Falls, this sleepy New England town, just as a green mist is descending and all hell is starting to break loose. Reading about them trespassing and pulling up trees to forward their investigations is a real delight.

 

Further, the Doctor and Martha are

both characterised splendidly. The

Doctor, for example, gives the Her-

voken a chance to leave Earth before

he destroys them, just as he so often

does with villains on television. They

don’t take it of course, otherwise we

wouldnt have had much of a story. It makes you think, though – I wonder if in between his chronicled adventures, the Doctor ever discovers aliens up to no good, tells them to clear

off, and they say “fair dues, Doctor. We’ll be off then”, and then that’s the end of that!

 

Martha is also on fine form here. I really like one particular passage, about half way through

I think, where Martha is reflecting on time travel. She decides to give her sister a call when she is suddenly struck by an epiphany – she doesn’t know what year it is. It might be 2008.

It might be 2004, or 2012. Martha runs through all these mind-bending ‘what if’ scenarios

in her head which I found delightful to read about. I love that side of things - the temporal element of the show is not milked enough in my view. I suppose it could get a bit confusing for the mainstream audience to follow though if say, the Doctor and Martha landed in 2006 and bumped into Mickey or Rose. Still.

 

There were lots of other things that I liked about the novel. The young lads who drive the

plot forwards are all quite relatable - I love how one of them, Chris, thought that the Doctor’s name was an “online geek boy” handle. The Doctor got his own back though, questioning Chris’s sexuality! A tad risqué, perhaps, for what is essentially a children’s novel, but I think that little ‘naughty’ bits like this will only endear the book to children all the more.

 

In all, Forever Autumn is a wonderful little tie-in novel. I whizzed through the 250 pages in

just a couple of hours, but I think that it is the ‘young adult’ readership that are really going to love this one, especially with Halloween incumbent upon us. My only disparagement is that the author turns the Doctor against cats again. Come on – he’s supposed to be a cat lover, “the cat that walked through time” etc! Still, it’s a small price to pay to be treated to an utterly traditional yet highly inventive story told by a distinctive new voice to the range.

 

Copyright © E.G. Wolverson 2007

 

E.G. Wolverson has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work.

Unless otherwise stated, all images on this site are copyrighted to the BBC and are used solely for promotional purposes.

Doctor Who is copyright © by the BBC. No copyright infringement is intended.